2018 Exhibitions

74th Annual Wabash Valley Exhibition

September 7 – October 21, 2018

Opening Reception:

Friday, September 7, 5 – 8 pm

Awards Presentation: 7 pm

Teresa Altemeyer, Indianapolis, IN, The Union Preserved, watercolor on paper. Recipient of the Howard E. Wooden, Sr. Memorial Best of Show Grand Prize, 73rd Annual Wabash Valley Exhibition.

The first Wabash Valley Exhibition was held in 1945, with the goal of providing artists of Terre Haute and the vicinity an opportunity to submit work. The exhibition was eventually expanded to a regional scope to include artists from the state of Indiana and its four neighboring states of Illinois, Kentucky, Michigan, and Ohio. A juror, chosen from outside the region, selects the exhibition form the many entries submitted and chooses the recipients of the awards. Philip Koch, senior professor at the Maryland Institute College of Art in Baltimore, will serve as the 2018 juror.


Roger Shimomura (b. 1939) American Muse, 2017. 10 color lithograph on Rives BFK paper, 28 x 27 1/4 inches . Collection of the Lawrence Lithography Workshop.

In Collaboration: Roger Shimomura and The Lawrence Lithography Workshop

February 2 – March 25, 2018

Made possible by the Alliance of the Swope

The Swope Art Museum kicks off its 2018 exhibition schedule with a collection of lithographs by Roger Shimomura in collaboration with The Lawrence Lithography Workshop. The show will survey over 25 years of lithographs, including some of the most recent collaborations between Shimomura and master printer, Michael Sims.

Roger Shimomura uses his art to explore his Japanese American identity in a style that combines his childhood interest in comic books, American Pop art, and traditional Japanese woodblock prints. His paintings, prints and theatre pieces address socio-political issues of ethnicity and have often been inspired by 56 years of diaries kept by his late immigrant grandmother. Born in Seattle, Shimomura, spent two years of his childhood at Camp Minidoka in Hunt, Idaho. His family was interned there during World War II along with other Americans of Japanese descent because they were viewed as a “potential threat to national security.” He received his B.A. from the University of Washington, Seattle and his M.F.A. from Syracuse University, New York. Shimomura taught at the University of Kansas from 1969 until his retirement in 2004. In 2002 the College Art Association presented him with the Artist Award for Most Distinguished Body of Work.  Shimomura’s personal papers are being collected by the Archives of American Art, Smithsonian Institution in Washington, D.C.

WVE Throwback: Color

August 18, 2017 – March 18, 2018

Many works from the annual Wabash Valley Exhibition have become part of the Swope Art Museum’s permanent collection during the exhibition’s long history. WVE Throwback: Color presents a selection of past Wabash Valley Exhibition acquisitions that focus on the visual element of color.  Included is work by: Aldon Addington, John Bott, Sue J. Cerola, Diane Driessen, Ada Inov, David Kegel, Sherry Musick, Isabella Pera, Andrew Polk, Kenneth Preston, Steven Redman, Jacquelyn Ruttinger, James Sampson, Daniel Socha, and Terry Steadham.








51st Annual Student Art Exhibition

April 7 – May 20, 2018

Hulman, Schell, Education, & Second-Floor Lobby Galleries

Reception: Saturday, April 7, 3 – 5 pm Awards, 4 pm

Made possible by Old National Bank

2018 marks 51 years of this popular annual exhibition at the Swope Art Museum. Director Howard E. Wooden initiated this exhibition in 1966 in cooperation with the Vigo County School Corporation to showcase the excellence of area students and art educators. Wooden believed that the perspectives of young talent reflect the health and cultural awareness of a community. Rachel Hellmann served as the 2018 juror for the high school selections. Hellman selected 12 merit award winners:

Merit Awards

Damsel in Distress, digital photography
Taylor Cash, Senior, Greencastle High School

Ark, wood
Lucas Cook, Sophomore, North Vermillion High School

Ash Vase, stoneware with copper and ash glaze
Zach Fitzwater, Sophomore, North Vermillion High School

Introspective Reflection, colored pencil
Esther Hale, Senior, Greencastle High School

untitled, chalk pastel on paper
Nechole Klee, Sophomore, Owen Valley High School

Bed of Death, relief on linoleum
Abigal Link, Senior, Owen Valley High School

Perspective, charcoal
Jennifer Mitchell, Junior, Greencastle High School

Secrets Under the Stairs, pen and ink, markers and colored pencils
Jaylin Paullus, Junior, Nortview High School

Violet Subtraction, foam block and acrylic paint
Mara Russell, Senior, South Vigo High School

Lasagna and Meatballs, clay with Amaco glaze
Amanda Waldbieser, Senior, Terre Haute North High School

Existence, intaglio print
Sarah Walden, Sophomore, Owen Valley High School

Still-Life with Skull, acrylic on paper
Gillian Webb, Senior, South Vigo High School

David Hayes: Permanent Nature

June 1 – August 19, 2018

Born in Hartford, Connecticut, David Hayes (1931-2013) had strong artistic ties to Indiana. He received an AB degree from the University of Notre Dame in 1953 and an MFA degree from Indiana University in 1955. While at IU, Hayes studied with American sculptor David Smith, a pioneer in working with welded metal.

Hayes worked in the tradition of his mentor Smith and his friend Alexander Calder—creating joyful abstract representations of nature’s beauty. His welded steel sculptures are often painted in colors that seem to reflect the changing seasons of the year. The artist’s son, David Hayes, described the artist’s chosen material by saying, “My father liked the permanence of steel. Steel lasts.”

In addition to sculptures dating from 1972 to 2010, the exhibition will include studies made for the three-dimensional work. This is the first exhibition of the entire ten-piece Ventana series since the work was created by Hayes in 2006. The ten sculptures will be shown along with nine of the studies done in gouache, an opaque watercolor medium.

The exhibition will travel to the Fort Smith Regional Art Museum and the Muscatine Art Center following its premiere in Terre Haute. Support in part from the Edward and Verna Gerbic Family Foundation and the David Hayes Art Foundation.

Local support is provided by Coldwell Banker Troy Helman Realtors and Edward T. Hazledine in memory of his father Kenneth E. Hazledine (1908-1993) and his grandfather Edward T. Hazledine (1859-1941).

July 19 – September 16, 2018

Opening Reception: Friday, August 3, 5 – 8 pm

Allan Drummond, Escape from Paris, 2005, from the book The Wartime Escape: Margret and H.A. Rey’s Journey from France

Several generations of Americans have grown up reading the stories of a little brown monkey named “Curious George.” But few people know about the incredible journey made by his creators, Margret and H.A. Rey, to escape the Nazi invasion of Paris at the start of World War II. Stashing a few precious belongings and manuscripts in their knapsacks and the baskets of their bicycles, the Jewish couple fled Paris in June 1940, starting a five-month odyssey by bike, train, and boat that would eventually bring them to American shores. The exhibition is based in part on the 2005 publication The Journey that Saved Curious George: The True Wartime Escape of Margret and H.A. Rey, written by Louise Borden and illustrated by Allan Drummond (Houghton Mifflin Company, New York). The exhibition is organized and curated by Beth Seldin Dotan, director of the Institute for Holocaust Education in Omaha, Nebraska.

The Swope is hosting The Journey that Save Curious George in partnership with CANDLES Holocaust Museum and Education Center. The exhibition is made possible by grants from the City of Terre Haute and the Indiana Arts Commission.

2017 Exhibitions

The Swope Art Museum Celebrates

Its 75th Anniversary!

Charles Burchfield (1893-1967) Old Houses in Winter, 1929-41; Watercolor on paper, Swope Art Museum purchase, 1941.31

Realities of Life: Works on Paper from the Founding Collection

December 16, 2016 – February 25, 2017

The Museum’s 75th birthday celebration begins with the exhibition Realities of Life: Works on Paper from the Founding Collection, which will be on display in the second-floor lobby gallery through February 25, 2017. In January 1941, the Swope Art Museum’s founding director, Terre Haute native John Rogers Cox (1915-1990), was given the rather daunting task of building a collection for the institution which would open on March 21, 1942. Cox, who had limited funds at his disposal, made the bold decision to focus his purchases on recent American art by living artists. In fact, with only a few exceptions, the paintings and prints included in the founding collection were created between 1939 and 1942. These acquisitions were highly publicized in the leading art journals of the day. Many of artists represented by these initial purchases—including work by Thomas Hart Benton, Charles Burchfield, John Steuart Curry, and Edward Hopper—remain the most celebrated in American art. The founding collection consists primarily of American Scene Painting, a naturalist style of art popular during the first half of the 20th century in the United States. The artists of the movement depicted scenes of typical American life and landscape—painted in a naturalistic, descriptive style.

Morning at the Route 6, Eastham House

Philip Koch (b. 1948), Morning at the Route 6, Eastham House, 2016. Oil on canvas, 30 x 60 in. Collection of the artist.

Light and Shadow: Paintings and Drawings by Philip Koch from Edward Hopper’s Studio

February 3 – March 25, 2017

Made possible by the Alliance of the Swope

As a graduate painting student at Indiana University, Philip Koch was working abstractly until he rediscovered the “glowing light and dramatic shadows” of Edward Hopper. The experience inspired the young artist to begin painting realistically. Since 1983, Philip Koch has completed 16 residencies in Hopper’s home and studio in Truro, Massachusetts on Cape Cod. Spending time in the spaces inhabited by Hopper, seeing the same views, and experiencing the play of light and shadow in the rooms has provided Koch with a unique understanding of Hopper’s work and process. The exhibition will provide new insight into Hopper’s 1941 painting of a house in Cape Cod titled Route 6, Eastham from the Swope’s founding permanent collection.


Original publicity still for the 1953 film Niagara.

15 Minutes of Fame: Works by Andy Warhol

March 3 – March 25, 2017

Big-screen star and sex symbol Marilyn Monroe, a commercial commodity known to millions around the world, was an ideal subject for the mass reproduction techniques that were at the foundation of Andy Warhol’s art from the 1960s. The Marilyn Monroe series of ten screenprints is based on a publicity photograph from the 1953 film Niagra. This project was the first portfolio published by Factory Additions and also the first  containing ten prints of the same subject. The Swope will exhibit additional works by Andy Warhol from the permanent collection of Indiana State University that explore his celebrated quote, “In the future, everyone will be world-famous for 15 minutes.”

Emma Newton (Greencastle High School, Student of Robin Johnson), Euphoria, digital photography. 2016 Best in Show.

Emma Newton (Greencastle High School, Student of Robin Johnson), Euphoria, digital photography. 2016 Best in Show.

50th Annual Student Art Exhibition

April 8 – May 20, 2017

Made possible by Old National Bank

In 1966, Director Howard E. Wooden suggested that the Swope, in cooperation with the Vigo County School Corporation, hold a student exhibition to showcase the excellence of both the area’s young artists and the area’s art teachers. Wooden believed that the perspectives of young talent revealed the health and cultural awareness of a community, as well as the success created when teachers encourage self-expression along with technical disciplines.

The inaugural show opened May 16, 1967. Wooden’s tradition of celebrating students and teachers alike continues with the 50th exhibition which features student artwork from each school in the Vigo County School Corporation, as well as several other area private schools. Additionally, at the high school level, the show is open to surrounding counties and home-schools and functions as a juried exhibition. Rachel Berenson Perry will serve as the 2017 juror for the high school selections.


Station: An Interactive Sound and Visual Art Installation by Owens + Crawley

April 7 – May 20, 2017

The Indiana State University Department of Art and Design and the Swope Art Museum are pleased to present a new interactive sound and visual art installation by Indianapolis-based artists Quincy Owens and Luke Crawley. This project, which is being produced by ISU arts administration students in partnership with the Museum, explores how the oil industry impacts the economy and landscape of Indiana. “The installation is designed to evoke emotions of serenity and maybe even a bit of a romantic notion–a far, far stretch from the reality of the damage done to our environment on many levels,” say the artists of the work.

This project was funded by the Indiana State University Center for Community Engagement, the National Endowment for the Arts, Arts Illiana, the Indiana Arts Commission, and Klipsch Audio Technologies.


dehn 3.43, 4/11/07, 5:59 PM, 16C, 6254x8374 (109+175), 83%, Custom, 1/25 s, R66.6, G45.2, B62.0

Adolf Dehn (1895-1968) Manhattan from Docks, 1947. Watercolor on paper, 29 ¾ x 29 ½ in.

Adolf Dehn: Midcentury Manhattan

June 2 – August 12, 2017

Made possible by the HSC Group at Morgan Stanley Wealth Management

Organized by the Fairfield University Art Museum, this exhibition will explore the Manhattan subjects of National Academician Adolf Dehn  (1895-1968), and will coincide with the publication of Adolf Dehn’s Manhattan: Rhapsodies in Blue and Beyond, by Fairfield University art history professor, Philip Eliasoph (The Artist Book Foundation, 2016).

Visiting, and then living in New York City, Dehn captured the essence of the city in his paintings, prints and drawings of the landscapes of Central Park, and of the city’s burlesque and night club scenes. While best known as a lithographer and one of the founding members of the American Artists Group, Dehn played a significant role in America’s contemporary realist movement starting in the 1930s. He was included in every Whitney Museum of American Art Annual and Biennial invitational exhibition from the first biennial 1932 into the early 1960s, and still holds the record for being in more of these prestigious shows than any other artist. His work is in the permanent collections of more than eighty museums.

This exhibition is devoted to the artist’s images of Manhattan from the 1920s through 1960, and features casein paintings (a fast-drying, water-soluble medium made from milk casein or milk protein), watercolors, and pastel, ink and pencil drawings, as well as a select group of lithographs.

Two of Dehn’s lithographs were purchased by John Rogers Cox for the Swope Art Museum’s founding collection in 1942, and the Museum has an additional five lithographs by Dehn in its permanent collection. The Swope’s lithographs, which depict the Midwest and Southwest, will be on display in Gallery Three in conjunction with Adolf Dehn: Midcentury Manhattan. Additional cityscapes from the Swope’s permanent collection will be on display in the second-floor lobby gallery.

Teresa Altemeyer, Indianapolis, IN, The Union Preserved, watercolor on paper. Howard E. Wooden, Sr., Memorial Best of Show Grand Prize.

73rd Annual Wabash Valley Exhibition

September 1 – October 28, 2017

Made possible by First Financial Bank with additional assistance from Kathy & David Brentlinger

The first Wabash Valley Exhibition was held in 1945, with the goal of offering artists of Terre Haute and the vicinity an opportunity to submit work. The exhibition was eventually expanded to a regional scope to include artists from the entire state of Indiana and its four neighboring states of Illinois, Kentucky, Michigan, and Ohio. A guest juror, chosen from outside the region, selects the exhibition from the many works submitted and then chooses the recipients of the awards—with the exception of the purchase awards. Graeme Reid, Director of Collections and Exhibitions, Museum of Wisconsin Art, served as the 2017 juror.

Freezing a Moment of Time: The Architectural Drawings of Miller and Yeager

November 3 – December 31, 2017

Made possible by Bishop Solutions

with additional support from Wagner, Crawford, Gambill & Jungers, CRMH Architecture + Commercial Interiors, Inc. and Sunset Harbor, Inc.

The Swope is partnering with Indiana Landmarks and Ball State University on an exhibition of drawings from the architectural firm of Miller and Yeager, who designed the Swope Block’s second floor when the Museum began in 1942 as the Sheldon Swope Art Gallery. This exhibition is a fitting way to conclude the 75th anniversary year. Visitors will enjoy seeing drawings of many prominent buildings in Terre Haute.


Koo Schadler. Eliza, 2006 Silverpoint, egg tempera on blue toned gesso panel, 6 x 8 in. Collection of the Evansville Museum, Gift of the artist

Koo Schadler. Eliza, 2006
Silverpoint, egg tempera on blue toned gesso panel, 6 x 8 in.
Collection of the Evansville Museum, Gift of the artist

The Luster of Silver: Contemporary Metalpoint Drawings

November 3 – December 31, 2017

This exhibition from the collection of the Evansville Museum of Arts, History and Science will feature 20 silverpoint drawings and also metalpoint drawing tools. Unlike charcoal and pencil, silverpoint does not lend itself to sketching or correcting mistakes. The silverpoint line muse be precisely drawn the first time. The artist makes darker tones in these delicate images by cross hatching or building up line over line.



2106 Exhibitions

Indiana 1971-066

Robert Indiana (born New Castle, IN 1928) Terre Haute No. 2 from Decade portfolio, 1971 Serigraph in colors on white Schoellers Parole paper. Swope Art Museum purchase, 1972.22.10

Robert Indiana: The Decade Portfolio

December 4, 2015 – February 20, 2016

Education Gallery

The Swope began its celebration of the 2016 Indiana and Terre Haute Bicentennials by featuring the work of an artist who changed his last name to correspond to his home state. Born Robert Earl Clark in New Castle, Indiana, the Pop artist changed his name to Robert Indiana in 1958. He is best known for his iconic LOVE image, which was first created in 1965 for the Museum of Modern Art’s Christmas card.

The Decade portfolio features Indiana’s signature style, defined by bold, geometric shapes along with words, numbers, and names of people and places that held a special meaning for him. Each of the ten prints in the portfolio recreates an important painting Indiana made during the 1960s, recounting Indiana’s artistic output from the transformative decade year by year.

Related Programs:

Friday, December 4, 5 – 9 pm: Christmas Card Making  Robert Indiana’s famous LOVE image began with a Christmas card design for the Museum of Modern Art. Create your own Christmas card using a variety of materials during this Downtown Terre Haute Miracle on 7th Street event.

Saturday, December 12, 1 – 3 pm: Second Saturday Studio: Stencils & Screenprinting  Learn about the screenprinting process and create your own images using stencils in this afternoon of creativity inspired by Robert Indiana’s Decade portfolio.

Saturday, January 9, 1 – 3 pm: Second Saturday Studio: Assemblage Sculptures  In 1959, Robert Indiana made his first Assemblage, sculptures made from wood and objects found around his Coenties Slip studio. Create your own sculptures from “junk” during this creative afternoon.

Saturday, January 30, 2 pm: Film: Robert Indiana: American Dreamer (Eric Brietbart, director, 57 min.)  This documentary film combines archival footage of Indiana at work in his studio with photographs, interviews, poetry, prose, and contemporary scenes to create a visual autobiography in the artist’s own words and images.

Friday, February 5, 7 pm: Talk “Objects in mirror are closer than they appear: Robert Indiana’s Decade Portfolio as Retrospective” by Dr. William Ganis, Chair, Department of Art and Design, Indiana State University  Dr. William Ganis will contextualize Robert Indiana’s Decade Portfolio (1971) in which the artist summed up his prolific Pop work up to that time. In bold graphics, these ten silkscreen prints reflect upon the turbulent nineteen-sixties, Indiana’s own biography and the proliferation of American consumer culture.


Adams 1961-13

John Ottis Adams (Amity, IN,1851 – Indianapolis, IN 1927) Iridescence of a Shallow Stream, 1902 Oil on canvas, 28 1/8 x 47 13/16 in. Swope Art Museum, transferred from the Emeline Fairbanks Memorial Library, Terre Haute, IN, 1961.13

Painting in the Peaceful Valley: The Hoosier Group and Indiana Impressionism

January 22 – March 19, 2016

Haslem and Hodge Galleries

The Swope celebrated the Indiana Bicentennial with this exhibition of work by the Hoosier Group—a colony of Indiana Impressionist painters who worked in the late 19th century and early 20th century. The group first received their name in 1894 by Chicago art critic Hamlin Garland during an exhibition at the Denison Hotel in Indianapolis, Indiana. The Hoosier Group is primarily known for their depictions of the Indiana landscape.

Related Programs:

Friday, January 22, 6 pm: Talk by Rachel Berenson Perry, author of Paint and Canvas: The Art of T.C. Steele

Saturday, February 13, 1 – 3 pm: Second Saturday Studio: Landscapes

Friday, March 4, 7 pm: Poetry Reading by Dr. Sheron Dailey, Professor Emeritus, English Department, Indiana State University  Dr. Dailey will read from the work of James Whitcomb Riley whose poetry T.C. Steele admired and discuss the many connections between Steele and Riley.


Lamis 1977-22 2

Leroy Lamis (Eddyville, Iowa 1925 – Austin, TX 2010) Construction #208 (Cube #208), 1972 Plexiglas, 12 7/16 x 11 15/16 x 12 1/8 in. Swope Art Museum, Gift of the Alliance of the Swope, 1977.22

Perfection, Space, and Contemplation: Leroy Lamis

April 1 – June 4, 2016

Education Gallery

Leroy Lamis (1925-2010) was an American sculptor, digital artist and art education known for his work in Plexiglas. Born in Iowa, Lamis taught at Indiana State University from 1961-1988, where he influenced many young sculptors. Geometry formed the basis of his sculptures from the 1960s, as he cut colored Plexiglas into cubes, stacked it in layers, and glued it together. In 1965, Lamis described his artistic process, saying, “My work has something to do with perfection, space, and contemplation.”

Related programs:

Friday, April 1, 6 – 9 pm: First Friday & Opening Reception featuring a talk by Alex Lamis at 7 pm.

Saturday, April 9, 1 – 3 pm: Second Saturday Studio: Digital Art  View early examples of digital art by Leroy Lamis, and create your own work using technology.

Saturday, May 21, 2 pm: Panel Discussion  Former students and colleagues of Leroy Lamis will discuss the impact his teaching had on their art careers.



Cathleen Hogan (Terre Haute, IN) Anemone Wannabe I, stoneware with underglaze Howard E. Wooden, Sr., Memorial Best of Show Grand Prize

72nd Annual Wabash Valley Exhibition

June 18 – August 20, 2016

Haslem & Hodge Galleries

In December of 1944, the Swope’s second director, Allen D. Albert, PhD, and curator Hazel Dodge announced plans for a new and exciting annual exhibition where artists of Terre Haute and vicinity could enter their work. The first Wabash Valley show opened May 6, 1945 to an outstanding attendance of 350 people. The exhibition eventually was expanded to a regional scope, including contemporary artists in Indiana, Illinois, Kentucky, Michigan, and Ohio.

The WVE juror for 2016 is Manuela Well-Off-Man, PhD, Chief Curator at the IAIA’s Museum of Contemporary Native Arts, Santa Fe, New Mexico. Well-Off-Man earned a doctoral degree in art history from Ruhr University in Bochum, Germany, a master’s degree in art history from the University of Cologne and a bachelor’s degree in art history from the University of Heidelberg.

Made possible by First Financial Bank


debs Laborpaste detail2

JB Daniel (Chicago, Illinois) Debs -Laborpaste Project, Pullman Factory Site,  2016, wheatpaste, toner, paper

Remembering Eugene Debs

July 1 – August 27, 2016

Second Floor Lobby Gallery

The Swope continues its celebration of the 200-year history of Indiana and Terre Haute by focusing on the impact of one of Terre Haute’s most famous citizens, Eugene V. Debs, who was born here in 1855.

Leonard Baskin’s 1949 woodcut Homage to Gene Debs from the Swope Art Museum’s collection served as a springboard for this exhibition. To complement Baskin’s portrait of Debs, the Swope invited artists to create work that responds to the progressive ideas, humanitarian values, and social criticism of Debs. Dr. Harriet McNeal, Indiana State University Emerita Professor of Art History and Debs Foundation Board Member, acted as juror, and selected 14 works from a national call for entries.

A well-known labor and union leader from Terre Haute, Eugene Debs also ran for President on the Socialist ticket five times. Bernie Sanders, a candidate for the Democratic nomination for President in the 2016 election, considers Debs to be his political hero.

We invite you to learn more about Eugene V. Debs at his Terre Haute home, located on the Indiana State University campus at 451 North Eighth Street. The home is owned, maintained, and operated as a museum by the Eugene V. Debs Foundation.





2105 Exhibitions


Linda Adele Goodine (b. 1958) Bella Hawk from the Gibson Lemon Series, New Zealand, 2005, Polyflex print, 64 x 44 in. (framed), Collection of the artist

Linda Adele Goodine: Photographs from the Gibson Lemon/Beeline Highway Series

September 4 – November 14, 2015

Education Gallery

Linda Adele Goodine, who trained in photography, modern dance, and installation art, was recently appointed the Carol Grotnes Belk Distinguished Professor at East Carolina University. Prior to moving to North Carolina, Goodine taught at Indianapolis’ Herron School of Art and Design for 26 years. She seeks to create socially conscious art that promotes dialogue and positive change. Goodine’s work is concerned with environmentalism, political activism, the politics of the body, and how these topics intersect.

Related programs:
Friday, September 4, 7 pm
Artist’s talk: Linda Adele Goodine, Carol Grotnes Belk Distinguished Professor, East Carolina University

Saturday, September 12, 1 – 3 pm
Second Saturday Studio: Sun Prints
Learn about the photographic process by making a sun print inspired by Goodine’s photographs.

Saturday, September 12, 3:30 pm
Community Conversation: Environmentalism
Join us for a casual conversation about the environmental issues raised by Goodine’s images.


Art & Grace

Sister Paula Damiano at the opening reception for Art & Grace.

Art and Grace: Celebrating the 175th Anniversary of the Sisters of Providence

October 2, 2015 – January 2, 2016

Haslem and Hodge Galleries, Gallery Three

Reception: Friday, October 2, 6 – 9 pm

Made possible by the HSC Group at Morgan Stanley Wealth Management

In 1840, Saint Mother Theodore Guerin founded the Sisters of Providence at Saint Mary-of-the-Woods, located just northwest of Terre Haute. The Sisters of Providence devote themselves to serving others through works of love, mercy, and justice. The Sisters of Providence now minister in 17 states, the District of Columbia, and Asia.

There is a long history of creative activity at Saint Mary-of-the-Woods. This exhibition will explore the connection between creativity and spirituality in the work of six artists: Sister Jody O’Neil, current Artist-in-Residence at the Roethele Art Studio of Saint Mary-of-the-Woods; Sister Rita Ann Roethele; Sister Adelaide Ortegel; Sister Esther Newport; Sister Edith Pfau; and Sister Sophia Chen.

Related programs:

Friday, October 2, 7 pm

Talk: Sister Paula Damiano, Co-Director, Providence of Spirituality and Conference Center

Saturday, October 10, 1 – 3 pm

Second Saturday Studio: Collage

Make your own collage inspired by Sister Jody O’Neil’s water media collage work in Art and Grace.

Saturday, November 14, 1 – 3 pm

Second Saturday Studio: Still Lifes

Create a still life inspired by the photographs of Linda Adele Goodine and paintings in Art and Grace.

Saturday, November 14, 3:30 pm

Community Conversation: Spirituality

Join us for a casual conversation about the connection between creativity and spirituality inspired by Art and Grace.